Nastassja Kinski - Biography, Date of Birth, Place of Birth, Filmography (Read)

Nastassja Kinski - biography, date of birth, place of birth, filmography, clips, Actress, Producer.
Born January 24, 1961, Berlin - German actress.
Her mother was working as a shop assistant when Klaus Kinski met her. Real name - Nastassja Aglaya Nakshinsky. Her father named her after the two heroines of Dostoevsky's novel The Idiot. She later adopted her father's pseudonym. Nastasya's parents separated in 1968. After their divorce, she lived with her mother in Munich until 1971, in 1971 - in Caracas, since 1972 - again in Munich. The actress recalled that at this time they were experiencing financial difficulties, her mother did not work, selling the remaining things, they lived in a van with their mother's lover. Kinski said that she had to steal groceries and small items from stores that she brought home to her mother. She was also caught for traveling on buses without a ticket. However, Kinski avoided paying fines and subpoenas. Later, in 1978, Kinski was arrested at the airport. when she was returning from the filming of Stay You, and she had to spend about three months in juvenile prison. In 1977, Kinski graduated from the Willy Graf Gymnasium in Munich, according to her, she began to study worse and worse because of work, so she decided to leave school and pursue self-education. She said that from 13 to 15 years old she led a hectic life: “I was like a wild beast ... I spent my nights awake and went to parties all the time,” and her mother did not interfere with this. At the age of 15, she began a love affair with the film director Roman Polanski. Polanski described the circumstances of his acquaintance in his autobiography as follows: in 1976 in Munich, he and his journalist friend went on a double date. In the hotel room, his friend stayed with his girlfriend Nasty, who was Kinski (the director did not know her name and did not understand German at that time), and Polanski got another one: “I took another girl into bed, an amazing blonde. By the time I got up, the journalist had already left. Nastya dozed in an armchair in the living room. I took her hand and led her back to the bedroom. The three of us never did it again, although after that I saw both girls many times. " In 1976, Kinski starred in a photo shoot for the French magazine Vogue, of which Polanski was guest editor. She was in the role of a princess captured by pirates, photo shoot with Polanski took place in the Seychelles. Polanski recalled: “We put on a black wig and tried to make her funny, not adorable, but it didn't work out. She has a face that always looks interesting when you're photographing. At that moment I thought that she would be a real movie star. She has one of those looks that are perfect for movies. But later I realized that she would become the perfect Tess. " Several years later, she spoke positively of Polanski, noting that he treated her "with respect and behaved like a gentleman," traveled with her, took her to the theater and gave books. About the prosecution of Polanski in the United States, she said that part of American society is very sanctimonious and hypocritical: “Look what they did to Charlie Chaplin. And now with Roman. " In a later 1999 interview, she said, “I loved him, She made her debut in the film False Movement (1975) by the German film director Wim Wenders. In this film based on Goethe's novel "The Study Years of Wilhelm Meister" she played under her real name - Nakshinsky. She was noticed at a disco in Munich by Wenders' wife, actress Lisa Kreutzer, who invited Nastasya to play the silent role of Mignon. Kinski herself said that Wenders saw her at a rock and roll club, where she danced with friends on Sundays, and offered to play a movie. According to her, Wenders did not know who she was, since then she bore the name Nakshinski. He took her phone, later she forgot about the conversation, but Wenders' people called her constantly. Kinski said that she agreed to act mainly for money, although the fee was small, but for her it was a large amount, she and her mother needed this money. For her first role, she was awarded the Deutscher Filmpreis German cinematic award in the category "Outstanding Achievement", sharing it with Lisa Kreutzer, Hanna Schigulla and Marianne Hoppe. Kinski recalled that she had known Wenders since she was 12 and a half, and her first film was just an "adventure" and "journey" for her, she did not notice the camera. In the film "Certificate of Maturity" (1977) from the German television series "Crime Scene Investigation" (Tatort) directed by Wolfgang Petersen, she played the role of a schoolgirl who is in love with a married teacher. Kinski was awarded the Bambi Award. In her first English-language film - the horror film of the British studio Hammer Film "Daughter of Satan" (1977) with Christopher Lee Kinski played a young nun - a victim of a satanic cult. In 1978, in the film “As You Are,” where her partner was Marcello Mastroianni, she played the role of a girl - the mistress of an adult who passed her off as a daughter and, perhaps, really was her father. In the same year the German comedy film "Hotel" Passion Flower "was released, where she got her first leading role. Despite her young age, in all these paintings, Kinski appeared nude. She later said that she would like to "find every copy of these films and burn them." In 1977 and 1978 she received the Gold Otto awards from Bravo magazine in the movie star category, in 1979 she won the silver. In 1976, Kinski met film director Roman Polanski, who offered her to take acting courses at Lee Strasberg's Acting Studio in Los Angeles, where she then moved for six months. In 1979, Polanski began the adaptation of Thomas Hardy's novel Tess of the D'Urbervilles and invited Kinski to play the lead role in Tess. To prepare for the role, Kinski spent several months in the English county of Dorset and at the National Theater in London to acquire the correct pronunciation and get rid of her accent. In Dorset, she lived on a farm, where she worked and milked cows, as the heroine of the film did. Polanski did not go with her to England for fears that he would be extradited to American justice. In the film, she played an infantile girl from a poor peasant family, raped by her alleged cousin, forced to live with him and then killed him. As Kinski recalled, during filming, they decided that the picture would not be released in the United States. “Forget America,” Polanski told her. However, the film was a hit with both the American box office and critics, and the actress was invited to attend the Oscars. In her interview after the release of the film, the actress noted that she had a similar life experience and that she can identify with Tess.
The role of Tess, for which Kinski received a Golden Globe (in the category "Best Actress Debut") and a nomination for "Cesar", brought her fame and brought her to the world level. Although in 1981 the film was nominated for an Oscar in six nominations, however, Polanski did not receive an award. According to David Denby, Kinski was especially successful in the scene where Alec treats Tess to strawberries: she wants to eat the berry, but is afraid of the young man, because she does not know what his proposal might mean. In the same year, Kinski appeared nude in the arms of a python on a poster by renowned photographer Richard Avedon. At the Cannes Film Festival, Kinsky met the director Francis Ford Coppola, who later invited her to play the role of the circus tightrope walker Leila in the film From the Whole Heart (1982). In a conversation with Coppola, she said that in childhood she took part in circus performances twice: at the age of 12 with an elephant and later with a tiger trainer, a friend of her mother. American film critic Roger Ebert wrote that Kinski's beauty was more mature than in Tess. The high-budget film, for which the director ordered expensive sets, failed at the box office. The actress later compared Coppola to a little boy: “It reminds me of a child who says: 'I want a castle to be built for me' ... Money doesn't matter.” Gruvemuvestart In the horror film Cat People (1982) directed by Paul Schroeder, based on the film of the same name by Jacques Tourneur, Kinski's heroine, a young girl, after a long separation meets her brother. He informs her that both of them are werewolves, capable of killing ordinary human lovers. Then he tries to seduce or rape her. According to film critic David Denby, the picture is inferior to the original film because of the bloody scenes of violence, and Schroeder transformed the literary source in such a way as to awaken the Freudian horrors - sex as destruction, as an absolute taboo. However, according to Denby, Kinski looks more like a cat than Simone Simone, the lead in the original. Virgin and with a vague fear of sex, she tugs at her old-fashioned clothes, blinks, speaks in a timid voice, and flirts discreetly - but when she undresses, then takes on the proud predator posture - "without a doubt, she has the sexiest posture in the history of cinema." Denby also noted the "extraordinary beauty" of the actress. On the contrary, critic James Walcott said that Kinski looks great in Avedon's photographs, but looks a little embarrassed and timid on the screen. Her awkward embarrassment is part of her charm, he writes, but it becomes uncomfortable to watch the actress's attempts to portray passion. Roger Ebert praised Kinski's performance in this film. Kinski received a nomination for the American Saturn Science Fiction Award for this role .
but on the screen looks a little embarrassed and timid. Her awkward embarrassment is part of her charm, he writes, but it becomes uncomfortable to watch the actress's attempts to portray passion. Roger Ebert praised Kinski's performance in this film. Kinski received a nomination for the American Saturn Science Fiction Award for this role .
but on the screen looks a little embarrassed and timid. Her awkward embarrassment is part of her charm, he writes, but it becomes uncomfortable to watch the actress's attempts to portray passion. Roger Ebert praised Kinski's performance in this film. Kinski received a nomination for the American Saturn Science Fiction Award for this role .
Kinski planned to play in the film by Polish director Andrzej Zulawski based on Dostoevsky's story about an actress who is in love with many men. However, she later gave up filming. In 1983, James Toback's In Sight was released, where Kinski starred with ballet dancer Rudolf Nureyev and Harvey Keitel. Kinski acted as a model, which was used by a representative of the special services as bait for the terrorist. The future husband of the actress Ibrahim Musa took part in the work of the film crew. According to New York Times film reviewer Janet Maslin, Kinski appears "so lively and capricious" in the film that it doesn't fit in with her image of "a pawn in the hands of the secret services." According to James Walcott, Toback's big victory was that he was able to "unfreeze" Kinski as an actress, awakening her from the state of "trance" in which she was in "Cat People" and "From the Heart". According to Toback, he wrote the screenplay specifically for Kinski.
In the film Spring Symphony, she played the pianist Clara Wieck, the wife of the German composer Robert Schumann, winning the Deutscher Filmpreis Award for the second time in the category “Outstanding Achievement” .
In 1984, Kinski starred in the art-house film Paris, Texas by Wenders and in the film Mary's Beloved by Andrei Konchalovsky. In Konchalovsky's film, based on Andrei Platonov's story "The Potudan River", Kinski plays the young wife of an American soldier who returned from the war, who loves her too much to sleep with her, and leaves her. Her character, Maria, becomes pregnant with a traveling guitarist, but eventually reunites with her husband. According to the director himself, for Kinski "the role of Maria was significant." The films "The New Hampshire Hotel", "I Swear to Infidelity", "Revolution" (with Al Pacino) did not receive success in the American box office.
After almost two years of hiatus, the actress played in 1987 in the film by the French filmmaker Jacques Dere "The Disease of Love." For her performance of the role, she was nominated for the second time for the Cesar in the category "Best Actress". In 1988 she was a member of the jury at the Cannes Film Festival. In the late 1980s and early 1990s, she starred in Italian films. In 1989 in Italy she played a role in the film adaptation of Turgenev's story "Spring Waters" .
In 1991, Kinski starred in the Soviet-Swiss film "Humiliated and Insulted" based on the novel by Dostoevsky directed by Andrei Eshpai. In the film, which was produced by her husband Ibrahim Musa, Kinski had the role of Natasha Ikhmeneva. According to Eshpai, Musa, who was a member of the jury at the Moscow Film Festival, was told about his intention to make the film. Musa approved of the idea and Kinski, "a big fan of Dostoevsky," agreed to act, which the director considered a great success. Eshpai, recalling the shooting with Kinski, called her "an amazing actress", he said: "I was struck then most of all by this absolute ruthlessness to herself ... she never felt sorry for herself, absolutely never, in anything, to the end", "democratic, sociable , a humble man. ”
In 1993 she played for the third time with Wim Wenders in So Far, So Close! Since the mid-1990s, he has often starred in American films, mainly in supporting roles. In the critically acclaimed American action movie Speed ??Fall (1994), she played the role of a former KGB agent, along with the character Charlie Sheen, saving Soviet gold. In the mid-90s, she appeared in several television series, playing minor roles. Some attention was attracted by her roles in the films "A Date for One Night" (1997), "Intruder" (1999), "American Rhapsody" (2001). In 1997, Nastassja Kinski starred in David Green's The Godmother, based on Linda La Plante's The Best Half of the Mafia. In this film, Kinski played a simple girl Sophia, Kinski's last appearance in the cinema was an episode in David Lynch's film "Empire Inland" (2006), where a longer scene with her participation, according to the director, was excluded from editing. In 2008, director Quentin Tarantino negotiated with Kinski about her possible participation in the filming of Inglourious Basterds, but in the end the actress Diane Kruger got the role. In 2011, Kinski became an Academy Fellow.

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Author: Jane Watson