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Hayao Miyazaki - Biography, Date of Birth, Place of Birth, Filmography

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Hayao Miyazaki - Biography, Date of Birth, Place of Birth, Filmography

Hayao Miyazaki - biography, date of birth, place of birth, filmography, clips, Writer, Director, Producer, Editor, Actor.

Born January 5, 1941, Tokyo, Empire of Japan (Japan) is a Japanese animation director, producer, screenwriter, writer and mangaka.

Hayao's childhood fell on a difficult period for Japan - the boy was born in 1941, in the midst of World War II. The changes that shocked the world left an indelible imprint on the fate and personality of Hayao, making him an opponent of fascism and a staunch pacifist.

Since his early childhood in the city of Akebono-cho, he has endured admiration for flying machines, which later appeared in the vast majority of his films.

The boy's father, Katsuji Miyazaki, worked during the war years at the Miyazaki Eplein factory, which produced components for 6M Zero aircraft. The future director's family had many children: Hayao became the second of four sons. Together with his father and brothers, the boy traveled almost all over Japan: the family often had to move because of the illness of his mother, who suffered from tuberculosis.

The constant change of places lasted more than 10 years, from 1947 to 1955.

In 1956, a real miracle happened, Miyazaki's mother fully recovered from a severe illness. Frequent travels did not prevent the young man from getting an excellent education.

In 1958, Hayao graduated from Toyotama High School and decided to enter the prestigious Tokyo University. Hayao decided early on his choice of profession. Animation captivated him by chance and forever: while still a high school student, the young man saw the animated film "The Legend of the White Snake." The impression of the painting was so strong that Miyazaki decided to devote himself to animation. The student tried his hand at creating his own manga, but quickly ran into difficulties. Firstly, Hayao did not know how to draw people at all, for a long time he was only occupied with sketches of airplanes. Secondly, comparing the drawings with the frames of the anime that inspired him, the aspiring artist realized that he was copying the animator's style in detail. The audience never saw the first work: Miyazaki burned his creation in horror.

In 1963, he was admitted to Gakushuin University, where he studied politics and economics, subjects far removed from the world of animation. But even during his student days, Hayao managed to gain valuable experience: throughout the years of his studies, he was a member of the university book club. Children's literature became the main object of attention of book lovers; the works of European authors were especially carefully studied.

After graduating from university, 22-year-old Hayao joined Toei Animation, one of the largest animation studios in Japan. Yesterday's graduate started from scratch and quickly climbed the career ladder.

In 1963, Hayao worked as a phase manager - he drew intermediate stages of the movement of the characters in the anime "Wan Wan Chuushingur". Two years later, in 1965, the studio management noticed the talent of the young animator. Masters highly appreciated his contribution to the creation of the black-and-white cartoon "Gulliver's Space Adventures" and even allowed him to change the ending of the picture.

From 1969 to 1971, Hayao managed to work on three projects: the Puss in Boots trilogy, adaptations of the Ghost Ship manga, which popularized anime in the USSR, and the animated film Animal Treasure Island. This time Miyazaki was in charge of storyboarding and rendering of key animations. In parallel with the creation of cartoons, the artist drew manga: in the same period, the graphic novel "The People of the Desert" was published. Miyazaki was published under the assumed name "Saburo Akitsu". Working at Toie brought the beginning artist not only experience, but useful contacts. In the studio, Miyazaki improved his technique under the guidance of the famous Japanese animator Yasuji Mori and met Isao Takahata, a future partner and close friend. Despite the obvious success in his career, Hayao was dissatisfied with the extremely difficult working conditions. Together with other animators and Takahata, he formed a union to defend the interests of cartoon studio workers. The rebellion was followed by a natural retribution: the leadership of Toei removed from the rental cartoon "Prince of the North". The storyboards for it were completely drawn by Hayao himself, and the picture was directed by Isao Takahata.

The turning point came in 1971. Friends decided to change the studio. In the same year, Miyazaki and partners founded the autonomous project A-Pro, but the start of independent work had to be seriously postponed. The intermediate point was the studio TMS Entertainment. There, Miyazaki and Takahata collaborated on the sequel to Lupine III. The partners stayed at TMS for 2 years. The next stop was a long-term collaboration with Nippon Animation, where Miyazaki made his directorial debut in 1978. His first work was the anime series Conan - Boy from the Future, based on Incredible Tide. A year later, the animators changed their studio again and returned to TMS. The already recognized cartoonist Miyazaki continued to direct. Finally, Hayao created his first full-scale cartoon, Lupine III: Castle of Cagliostro. The success of the film was deafening, "Lupine III" and is now on the list of the best anime ever made in Japan.

In 1982, Animage magazine began publishing Hayao's manga. Nausicaa of the Valley of the Wind quickly gained popularity, and the head of the Tokuma Shoten Publishing House proposed a film adaptation. Miyazaki agreed, the development of the picture began immediately. According to the already established tradition, Hayao attracted Takahatu to the project - Isao took over the production of the picture. Due to the tight schedule, the full-length cartoon appeared on the big screen already in 1984. Critics reacted to the picture very favorably. The success of the first work inspired the 43-year-old director. Together with Isao Takahata and Animage editor, Miyazaki created the famous Studio Ghibli, which brought the world the brightest masterpieces of Japanese animation. Studio Ghibli officially appeared in 1985, and a year later she presented her debut project to the audience - the feature film Laputa Heavenly Castle.

In 1988, My Neighbor Totoro was released. The film takes viewers to provincial Japan in the mid-20th century, where two sisters go on adventures and meet strange but cute spirits of the forest - Totoro. The charming spirits fell in love in Japan and abroad, the heroes of the tape were recognized by adults and children, and Totoro himself took an honorable place on the emblem of Studio Ghibli. It was "Totoro" that revealed a striking feature of the work of the Japanese genius: the main characters, or rather heroines, in his animated films are often little girls. Bold, brave and resourceful girls appear in The Witch Delivery Service, the Oscar-winning cartoon Spirited Away and the mystical Princess Mononoke. It is believed that it was "Princess Mononoke" that brought Miyazaki and the entire studio "Ghibli" wide world fame. The picture had a particularly striking success in the United States, recognition was crowned with a contract with Walt Disney, signed in 1996. After completing Princess Mononoke, the director first announced his desire to give up studio work and go into non-commercial animation. The plans were disrupted by a tragic event: the death of Yoshifumi Kondo, one of Studio Ghibli's key animators. Miadzaki continued to work. The next project was the film "Spirited Away", which was released in 2001. A string of awards speaks volumes about her success: the Japanese Film Academy prize, the Golden Bear, taken at the Berlin Festival in 2002, and, finally, the Oscar, received a year later. In 2004, the list of triumphs was supplemented by the painting "Howl's Moving Castle", the plot of which is based on the fairy tale novel of the same name by the British author Diana Wynn Jones. The history of the painting is quite unusual: Miyazaki agreed to complete the work of another director, Mormou Hosoda. Alas, ups are inevitably followed by falls.

In 2006, the studio completed work on Tales of Earthsea, a full-length anime based on a series of books by Ursula Le Guin. For years, Miyazaki had been seeking approval for the film adaptation, but his son Goro began working on the film. During the filming, the relationship between the young and experienced directors became extremely strained, and Ursula herself was disappointed with Goro's debut work. Controversial assessments of "Tales" did not force the director to leave animation, and in 2008 the feature film "Ponyo Fish on the Cliff" appeared in cinemas. Miyazaki proved the accident of failure: the new project won two awards in Japan and two awards at the 2009 Venice Film Festival. Miadzyaki gave the world not only amazing cartoons, one of his projects was a unique animation museum. The idea of ??creating the Ghibli Museum was first announced in 1998, but due to the tight schedule, the start of work was repeatedly postponed. Construction began only in 2000. The director himself worked on the sketches, Hayao wanted the architecture of the main building to become an intrinsic part of the exhibition. The official opening took place on October 1, 2001. The anime studio museum is made in the form of a labyrinth, walking through which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
Construction began only in 2000. The director himself worked on the sketches, Hayao wanted the architecture of the main building to become an intrinsic part of the exhibition. The official opening took place on October 1, 2001. The anime studio museum is made in the form of a labyrinth, walking through which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
Construction began only in 2000. The director himself worked on the sketches, Hayao wanted the architecture of the main building to become an intrinsic part of the exhibition. The official opening took place on October 1, 2001. The anime studio museum is made in the form of a labyrinth, walking through which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
so that the architecture of the main building becomes an intrinsic part of the exhibition. The official opening took place on October 1, 2001. The anime studio museum is made in the form of a labyrinth, walking through which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
so that the architecture of the main building becomes an intrinsic part of the exhibition. The official opening took place on October 1, 2001. The anime studio museum is made in the form of a labyrinth, walking through which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
walking along which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
walking along which visitors meet the heroes of their favorite films. After the release of Ponyo Fish in 2008, the director took a break that lasted 6 years. During this period, Miadzyaki took part in writing the scripts for two new films "Ghibli" and only in 2014 again took up directing. Hayao, who loves airplanes, could not refuse to create the cartoon "The Wind Rises", the plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
The plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.
The plot of which is based on the events of the life of Jiro Hirokoshi, the famous Japanese aircraft designer who worked on the A6M Zero aircraft.

After presenting the work at the 2013 Venice Film Festival, Miyazaki officially announced his retirement to the press.


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